Project Portfolio

Delivered Work

Reference Projects

Changzhou Huaji supplies aluminum raised floors, calcium sulfate network floors, OA network floors and GRC cement network floors, together with design, manufacturing and installation. The projects below reference installations completed by the company in power, financial, educational, oil and gas, rail and telecom settings.

Diogo Strausz is a Brazilian producer and musician whose work moves easily between club culture, cinematic composition and commercial sound design. Based in Paris, he has built a career that spans releases with international artists, original commissions for brands and agencies, and a long-running live and studio practice. The aesthetic of the site mirrors that breadth: a near-black canvas, wide-letter-spaced uppercase headings and dense galleries of full-colour imagery that let the work carry the colour.

His catalogue of collaborations runs from electronic and dance records to genre-crossing projects, with credits spanning scenes associated with artists such as Goddard, Hot Chip, Aphex Twin, Tom Rowlands, Rodrigo Peirão and others, and coverage in outlets including Mixmag, Spin, Noisy and Vice. Listeners have described the results as flirtatious, energetic and undeniably funky, with momentum that carries from the dancefloor into more cinematic, tongue-in-cheek territory — a useful introduction for anyone new to his output.

Alongside the record work, Strausz has composed and produced original music and content for advertising campaigns and brand projects, including work tied to names such as Coca-Cola, Ambev and Bottletop. These commissions showcase a disciplined studio approach: identifying the emotional core of a brief, then building arrangements that feel both polished and playful, whether the brief calls for a short ident, a wider campaign theme or a bespoke piece of sound design.

Case studies and portfolio sections on the site sit alongside the photographic galleries, giving a similar sense of accumulated evidence — projects grouped by context, each entry brief, visual and unembellished. The overall impression is of a working musician and producer rather than a marketing page: generous space at the top, then density below, square-edged images, no decorative chrome, and a focus on the body of work. Exploring the archives reveals dozens of albums, EPs and live performances.